The artist known as “Prophit”, born Dwight Kenneth Brown on 27th September, 1985 in the old hospital located on Craig Street in Belize City, faced numerous challenges in his childhood but managed to overcome them with determination and resilience. Raised by his grandmother, Ms. Virginia Elizabeth Humes affectionately known as “Ms. Virg”, after the tragic loss of his mother, Beverly Faithlough he grew up in a humble one-bedroom shack with his sisters Denise Lewis and Kimaure Garnett on Central American Blvd.
Despite a difficult upbringing, he excelled academically and became a top performer in his classes at Lake Independence Methodist School now known as St. Luke’s Methodist School on Mahogany Street in the early 1990s. However, he struggled with anger management, the absence of a father figure, and issues related to self-identity.
This led to his expulsion from various high schools. Despite these setbacks, Prophit never lost sight of his goals. He took it upon himself to pay for his own tuition and enrolled in St. Michael’s College. There, he became the president of the student body, joined the basketball team, and achieved remarkable success, winning both regional and national championships in his senior year.
True to his word, Prophit graduated from St. Michael’s College in 2005, proving to his grandmother and himself that he had the strength and determination to overcome any obstacles in his path.
Prophit, from an early age, showed a natural talent for music. He used to sing and entertain his grandmother, showcasing his passion for the art form. His talent grew during high school, where he participated in and won numerous rap battles. After completing high school, Prophit found employment at the Princess Casino in Belize City, where he met Clement Martinez, who would become his lifelong friend.
Inspired by Clement’s recorded songs, Prophit decided to pursue music himself. Though he had initially aspired to be a rap artist, his collaboration with Clement introduced him to the world of dancehall songs and musicians. Together, they invested in recording equipment and created their first dancehall track, titled “Money Maker.” The song gained recognition when DJ Bush played it on MoreFm in 2008, released under the banner of ‘Backyard Entertainment.’
Prophit’s musical journey took an exciting turn when he crossed paths with producer Floyd Locayo, known as ‘Redz da Masterpiece,’ at Dale Davis’s Dotted Quaver Studio. It was in this studio that he also encountered Dudley Martinez, known as ‘Maxx Revenue,’ and Kevin Thomas, known as ‘King Ko$a,’ in 2008.
The trio eventually formed GStarrz (Ghetto All stars), a hip hop group that became renowned for their powerful bars and exceptional music. They released notable tracks like ‘That Ain’t My Fault,’ ‘Never Get Enough,’ and Prophit’s first official visual, ‘Swaggerman,’ under the moniker ‘K-illa’ at the time. Directed by Omar “Celebrity” Aldana, the vibrant and lively anthem ‘Swaggerman’ propelled Prophit to the forefront of the music scene, laying the foundation for his promising future in the industry.
Prophit gained recognition in the music industry with his hit track “swaggerman,” which led him to receive three nominations for Best Hip Hop Artist, Best Hip Hop Song and Best Upcoming Artist at the Belize Music Awards in 2012. Although he did not win any awards, his performance at the award show was highly praised alongside renowned artists like Jenko Velli and the Legendary Lord Rhaburn.
Determined to establish himself further, Prophit released his first mixtape, “End Result,” which showcased his dedication to his music career. Despite receiving mixed reviews, the mixtape solidified his commitment to pursuing his passion. However, tragedy struck as he experienced the loss of his grandmother, the sole mother figure in his life.
This heartbreaking event, coupled with a deteriorating romantic relationship, plunged Prophit into a period of darkness. Turning to his music as an outlet, he poured his emotions and pain into his second project, “The Unknown Factor.” Inspired by the late Nipsey Hussle, Prophit took a unique approach and sold his mixtape for $100 per copy. Surprisingly, he managed to generate nearly $5,000 in a relatively small Belizean music market.
With 24 tracks and collaborations with various artists, including Jenko Velli, Nello Player, and King KO$A, the project solidified Prophit’s position in the industry. During this time, Prophit also took on the role of mentor and manager, supporting aspiring talents such as TY Musiik, Dajah Glamor, and Maxx Revenue under his newly formed entertainment entity, Power Moves Only Entertainment (PMO ENT.)
Prophit’s journey in the music industry has always been guided by his dedication to making power moves. From coining the term and embracing the persona of the PMO Boss, to establishing Power Moves Only Entertainment alongside Olynn Kingston, he has consistently embodied this mindset.
As CEO, he took on multiple roles including artist manager, road manager, songwriter, videographer, and content creator. Prophit’s talents have brought him success in Belize, with his writing skills contributing to chart-topping singles like “Nuh wah ur man” and “Can’t cool mi down” performed by Dajah Glamour, as well as successful hits like “Nuh trust” and “Di paper” sung by Ty Musiik. Prophit also has collaborations with well-known artists such as Tanya Carter, King Ko$a, Papa John, King Rome, and Big Bang.
Not limiting himself to the local scene, Prophit has also ventured into international collaborations, working with artists like Arsenal Da Rebel, Digital Sham, and having unreleased projects with Jamaican artist Tommy Lee. While exploring other avenues such as movie and film production, with hopes of eventually delving into directing, Prophit remains committed to his music career and is currently working on a new project.
Recent updates on his social media platforms have shown him collaborating with Supa G in the studio, reaffirming his unwavering dedication to his artistry. Prophit’s influence and consistency have solidified his position as a vital force in Belize’s thriving music industry.
Written by Mel Rha